Larry Breslin Double Top Concert Classical Guitar
Brazilian Rosewood and Western Red Cedar |
Overview & Condition This classical guitar was handmade by Larry Breslin in 2004; his concert classical guitars are a wonderful synthesis of traditional and modern luthery. The soundboard uses two sets of quatersawn Western Red Cedar, unusually stiff with excellent lateral rigidity. The cedar sets surround a middle layer of Nomex material using a vacuum clamping process pioneered by German luthier Matthias Dammann. Extremely rare old-growth Brazilian rosewood was used for the back and sides, pre-convention tone wood that was air dried for several decades. Side construction features inner Spanish Cypress ribs similar to traditional Ramirez design. The neck is made of equally old Cuban Cedar. Ebony was used for the fingerboard, headplate and all bindings. The Hauser-inspired tuning machines are made by Nicolo Allesi in Italy, quality tuners that operate smoothly and accurately. One owner. The guitar has been carefully maintained and is in excellent playing condition with no cracks. The instrument is in original condition with no changes of any kind. The fingerboard and frets are in excellent shape. The cedar top has a few light nail marks near the sound hole and a few extremely tiny string marks behind the bridge. The back has a couple of small finish marks as well. These are all restricted to the finish only and difficult to notice without very close inspection. |
Video/Sound |
Photography |
Specifications |
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Make | Deerhead Guitar by Larry Breslin |
Sound Recording | https://www.youtube.com/watch?v=13ylikAYRfI |
Model | Concert Classical |
Build completed | August, 2004 |
Construction | Double top, mortise & tenon neck joint |
Top material | Western red cedar, two sets with inner Nomex core |
Rosette | Traditional Rose motif with ebony and maple ropes |
Back material | Brazilian rosewood - pre-convention |
Side material | Brazilian rosewood with Spanish cypress ribs |
Back purfling | Ebony with maple trim |
Binding | Ebony |
Top inlay material | Ebony with maple trim |
Neck material | Cuban cedar |
Neck shape | Flattened Oval Thin Line |
Nut material | Bone |
Headstock shape | Traditional |
Headplate material | Ebony |
Fingerboard material | Ebony |
Scale length | 650mm |
Neck joins body at | 12th Fret |
Number of frets total | 20 |
Fingerboard width at nut | 52mm |
Side Dots | Maple - 7th position only |
Finish | Nitrocellulose |
Bridge material | East Indian rosewood with Mother of Pearl inlay |
Bridge style | 6-hole tie block |
Saddle | Bone |
Tuning machines | Nicolo Allessi - Hauser VI (€400 Euros) |
Knobs | Mother of Pearl |
Case | Ply hardshell with nylon softcover |